“Combines enlightenment on 16th-century Japanese lise with a sharp and well integrated mystery.”
– Kirkus Reviews
Blade of the Samurai
June, 1565: When a killer murders the shogun’s cousin, master ninja Hiro Hattori and Portuguese Jesuit Father Mateo are summoned to the shogun’s palace and ordered to find the killer. The evidence implicates Hiro’s friend and fellow shinobi, Kazu, who was working undercover at the shogunate; however, the victim’s wife, a suspicious maid, and even the shogun’s stable master also had reasons to want the victim dead.
The investigation reveals a plot to assassinate the shogun and depose the ruling Ashikaga clan. With enemy forces approaching Kyoto, and the murderer poised to strike again, Hiro and Father Mateo must produce the killer in time . . . or die in his place. Blade of the Samurai is a complex mystery that will transport readers to a thrilling and unforgettable adventure in sixteenth-century Japan.
- Show Me … the Contract.
Many people use the holiday season as a chance to focus on the important things in life–the basics. Today’s #PubLaw is taking a cue from that idea, and focusing on one of the critical aspects of protecting your rights as an author: the publishing contract.
In life, we enter into many verbal contracts. Some are legally binding. Some are not. The law dictates which types of contracts can (and cannot) be verbal. Generally speaking, publishing contracts need to be in writing — and smart authors ALWAYS get the deal in writing.
By law, most contracts which cannot be completed within one year must be in writing. Most contracts involving intellectual property rights and licenses also need to be in writing (according to law). Without going into legalese, every author should expect – and insist – that publishing contracts impacting the author’s work must be in writing.
TL;DR: Never agree to a verbal publishing contract.
You don’t need a written contract for a guest blog, as long as it’s clear that you own the rights to your work and can re-publish the work at will. However, even there it’s good to establish the terms of the publication via email.
Don’t let anyone shame you into accepting an unfair contract, or into working without a contract that protects your legal rights. Your words have value, and no one can or should tell you otherwise.
Any time your work will be “published” by a third-party publisher in longer than guest-blog format, however, you need a written contract or license. The contract should be complete and include each and every term of the publishing deal. The terms of the contract must be clear and unambiguous.
Don’t trust promises to “disregard that part” of a contract, or representations that something on the page won’t be enforced. The minute you sign, you are bound to each and every term the contract contains – and only those terms. If something doesn’t make it into the contract, it isn’t part of the deal, so make certain all of the promises and agreements make it into the writing.
Most contracts contain an “integration clause” which states that the contract supersedes and replaces “all other agreements between the parties, oral or written.” This means that even if you have documentation of promises made before the contract was signed, they do not become part of the contract unless they actually appear within the document. Do not rely on “outside proof” or conversations. A court won’t listen to your argument if the other side goes back on its word.
Also: don’t rely on verbal promises or trust anyone who says “we don’t need a contract to publish your book.” Don’t ever let someone publish your book, short story, or novella without a written contract. End of story.
The take-home message: never let anyone publish your work without a written contract. Make sure the writing reflects the deal clearly, and that the terms are unambiguous. If there’s anything in the contract you don’t understand, get help from an agent or a publishing lawyer. Contracts can’t avoid all problems, but not having a contract at all creates even more.